This new project involves a large number of spinning tops distinguished by color. The random interaction between the spinning tops is choreographed to insinuate the struggle for power in society. White spinning tops are dominant and take the central stage preventing the access of "others" that are subordinate to them by patrolling their territory by spinning back and forth. Meanwhile, the subordinate black spinning tops come from a lower level and attempt to access the higher ground controlled by the white ones. On the Edge stages a dangerous game as a metaphor of the battle for social supremacy.
January 2006, Miguel Angel Rios